They built this house with their bare hands.
I’ve been on vocal rest for nearly a month now, for a vocal polyp, sometimes called a ‘singer’s node’. It’s an occupational hazard, and comes partly from over-use. I had to cancel or reschedule a few concerts, so it’s vexing, but not serious. My vocal doc is sure we can resolve…
Zaire (present Democratic Republic of the Congo) - 1974
We have just released our new charting and drawing package for mobile, Touch Charts. These charts are built on Canvas, automatically support rich animations, and feature built-in gesture and interaction support — all of which is fully configurable.
Now if you’ll excuse me, I need to sleep for about week.
Peace Corps Stamp - 1999
After three years of fighting with the Austrian government, atheist Niko Alm, who supports the Church of the Flying Spaghetti Monster, finally won the right to wear a “religious pasta strainer” in his driver’s license photo. Like it or not, this is what freedom of religion actually looks like.
A little over a week ago, for work, I wrote a quick SXSW recap post involving Odd Future — which wound up being trimmed down to a post about Odd Future, and then, after more editors went over it, an article about Odd Future, and then eventually I started to feel like whatever vague point I’d had might have wound up dulled and unclear. So here’s a clearer thought, which is not about Odd Future’s music or Odd Future as people or the value of their work, but more about my relationship with the process of maybe-liking Odd Future.
Because there are a lot of things I love about Odd Future. Some of the albums coming out of the collective actually remind me of listening back to hip-hop from the late 80s and early 90s, when you can actually hear the joy of people creating music because it doesn’t exist yet, and they need it to; Earl’s record in particular has that feeling, a certain playfulness and vitality. And I’m compelled by Tyler’s charisma. I was a sulky teenage boy in the 1990s; of course I can connect with all his grim dark grumbling. As can teenagers today. When I saw the group in Austin, the energy surrounding them was fierce and sort of beautiful. A crowd of kids stood around chanting “FUCK STEVE HARVEY” in an effort to lure the group onto the stage. These were not kids whose lives I imagine being much impinged upon by the existence of Steve Harvey. Was there some point I missed where white Texan parents started boring their kids with his radio show on long drives? On one message board I read, there was a poster who thought “Steve Harvey” might be made up, just an imaginary object of Odd Future’s scorn. This has to say something about the lure of this group, that people want to join them in telling Steve Harvey to fuck off—just because the energy is right, not because they actually care so much who Steve Harvey is.
But then the next night, Odd Future cut short a set at a Billboard showcase—they stormed off after three songs—and I was surprised to see some fans on Twitter grumbling about it, feeling aggrieved or let down. These were people who liked the group’s energy. They just turned out not to like it so much when it was pointed at them and inconveniencing them—when it came off like a fuck-you to them instead of someone else. That’s not surprising: Most everyone wants to be inside the circle of this kind of massive energy, not excluded by it. What’s surprising is that some of these people were less than receptive, months and months ago, when a whole lot of other women and men gave a listen to music from Tyler and Earl and felt excluded by the end of the first verse—because all the ghoulish taunting about raping, kidnapping, or assaulting women wound up disinviting them from the get-go. In fall, Jon Caramanica asked Syd—the woman whose production and DJing underpin a lot of the group’s music—about that. Her answer: “Actions speak louder than words, and they treat me as an equal.” This isn’t exactly a full endorsement of those lyrics; it’s more like a way of saying she feels fully invited within the circle of energy. She’s included.
It’s those taunts in particular that ensure lots of people will never be able to feel entirely included here. There’s been plenty of discussion of the moral dimensions of that fact. Here’s another dimension to consider, though: Doesn’t that just kind of suck, that this group would turn out a lot of fantastic music that unnecessarily dis-includes a big chunk of listeners?
Days after a severe earthquake and tsunami affected the nuclear power reactors at the Fukushimi Dai-Ichi nuclear plant in Japan, there continue to be problems cooling the reactor cores.
The reactors operating at the time of the earthquake shut down very shortly afterward. However, heat in the…
In a country where income inequality is high and child labor is common, Zartonk-89 seems to be one of the only Armenian organizations that is trying to protect and empower child workers in the country. Zartonk-89 is a small NGO that focuses on protecting and educating Armenian child workers….
Vimeo export settings integration in the new CS5 Suite. Pictured: Premiere Pro
Next stop, Nasa launch protocol integration.